Gueorgui Pinkhassov’s photo of a fish market in Indonesia portrayed a bodily bilingual atmosphere in which all animate subjects seemed to benefit from each other. I had spent a good amount of my visits to 3 swallows observing the position of artifacts as well as the projection of natural light. Although Pinkhassov’s composition resembles a symbiosis between the people, I wanted to focus on the dislocation of the artifacts. I feel that he doesn’t quite understand or acknowledge his profound connection to having a mother who preserves and sells asian antiques.
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